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We talked of the late Ronnie Cutrone, who had run the studio in Andy Warhol’s factory. Mass had brought in a brutally Minimalist aesthetic by using a rolling metal sheet, like garage door, as a stage curtain. Cutrone had made it even more punishing by welding metal for use as ominous VIP rooms to confine such performers as Grace Jones. “Ian Schrager told me that they did the Mike Todd Room at Palladium because of Mudd,” he said. But he added, with a touch of rearview mirror wisdom, that many art-worlders had always acted as if they were a bit uncomfortable to be dealing with a club man in a curatorial capacity. “It was as if they expected all club people to be loutish gangsters,” he said. Like there are no ชุดจั๊มสูทขาสั้น ราคาถูก loutish gangsters in the art world, I asked. We wandered around the rummage sale space, which had been filling fast. Two young women floated by, mostly wearing translucent plastic bubbles. Chloë Sevigny was eying the chic merch by the likes of Agnès B. I spotted Anton Perich, who had contributed his famous photo of Iggy Pop, looking as luminous and tormented as an El Greco saint.
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